Female Italian Artists of the Baroque Period - 2154 Words

Female Italian Artists of the Baroque Period Many male artists during the Baroque Period were tremendously successful having received many commissions from a multitude of rich patrons. Their equally talented female counterparts were not as accepted in the male dominated society. Although equally talented, the patriarchal mentality of the times ensured a difficult road for some in the artistic world. The more prominent female artists such as Artemisia Gentileschi, Lavinia Fontana and Orsola Maddalena Caccia had the advantage of having fathers who were prodigious artists themselves and provided the training required for them to flourish as great virtuosos in their own right. I will show and explain some of their known works. Artemisia Gentileschi was a very talented albeit restricted female artist during the Italian Baroque period. She was born in Rome on July 8, 1593, to Orazio Gentileschi and Prudentia Montoni. Her father, Orazio, was a great and highly sought after artist for his work in frescoes, altarpieces and portraits. A most notable patron was Pope Paul V. Orazio was surprised at his daughter’s talent for painting and ensured that he gave her the proper training. She has also had the distinct advantage of being surrounded by a variety of local and foreign artists. As young as twelve years old, Artemisia was able to expertly grind and mix her father’s pigments and assist him in small commissions. Her first known dated painting was Susanna and the Elders, completedShow MoreRelatedRenaissance And The Italian Renaissance1396 Words   |  6 PagesThe Italian Renaissance had two distinct periods during its lifetime. The first being the â€Å"Early Renaissance†, which took place between the late 13th and the early 14th centuries. The second period was known as the â€Å"High Renaissance†, which took place during the 15th and 16th centuries. 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The â€Å"Garden of Love† depicts a scene of passionate festivities.Read MoreArtemisia Gentileschi1979 Words   |  8 Pagescombined marriage, but especially through her career. Unfortunately, the episode clouded part of the artistic achievements of Artemisia, who was long considered a â€Å"curiosity†. Fortunately, the works of the painter were later on re-evaluated and the artist is now recognized as one of the most progressive painters of her generation. After the rape and its process, that caused a big stir at the time, Artemisia - probably trying to make the situation less heavy - married the Florentine Pierantonio StiattesiRead MoreMy Last Duchess by Robert Browning1795 Words   |  7 PagesDuchess, Robert Browning takes poetic license with a real historical character from within the Italian Renaissance: Alfonso II, the last Duke of Ferrara. The Duke married a young bride, Lucrezia de’ Medici; however, their marriage ended mysteriously after just three years (Bloom 16). Within My Last Duchess, Browning uses the character and voice of the Duke to pass comment upon some of the themes of the Italian Renaissance, particularly the juxtaposition between aesthetics and morality. Furthemore, heRead MoreThe Influence Of The Fine Arts2108 Words   |  9 Pagessynopsis will be presented on Italian and Spanish Baroque, â€Å"Natural† Art, Realism, Post-Impressionism, and Fauvism. The term Baroque was derived from the Portuguese â€Å"barocco† meaning â€Å"irregular pearl or stone shape† that describes a fairly complex idiom that, origining in Rome, blossomed 1590 to 1720. [2] Italy and Spain optimal regions when studying Baroque history. The Catholic Church the leading patron of arts in 17th century Italy, aimed much of Italian Baroque to restore the Roman Catholics